Saturday, May 27, 2017

10 Tips for Springtime Art

10 Tips for Springtime Art
// Artist Daily

Spring into Landscape Art

Almost any artist will tell you that there's a certain appeal to working outdoors that can't be found anywhere else. With spring in full swing, many of us have left our studios for our porches, backyards and beyond.


Golden Crown by John Budicin, oil painting, 8x10.
Golden Crown by John Budicin, oil painting, 8 x 10.

To celebrate the season and all of the landscape art being made, here are 10 ways you can make the most of your next outdoor painting session.

Start with a good, long look

Painting landscapes lets you create work that can take the viewer on a journey into a new environment. To create a truly expressive work of art, it helps to take more than a cursory look around and quickly set up shop. Walk around, sit a spell and really soak in the landscape around you.

Focus your eye

Whether it's a rocky cliff or a busy urban street, outdoor settings can offer a myriad of potential subjects. Sometimes, however, it can be too much to take in, leading to a painting that feels busy, cluttered and lacking a center of interest.

Massachusetts-based artist Nancy Colella starts every composition based on what she's visually drawn to. She makes those elements the focal point of her painting and tones down everything else so that they come to the fore.

It's all about the light

Light changes throughout the day, which makes accurately capturing it one of the biggest challenges of painting outdoors. The flip side, of course, is that when one is able to do this correctly, a painting is instantly elevated. Observe the quality of light, aiming for a spontaneous interpretation that still takes observation skills into consideration.

Don't paint a blue sky

Blue skies rarely exist! California watercolorist Dick Cole acknowledges that landscape painting has enhanced his skills as a colorist and helped him to realize that the sky, along with many elements in nature, is made up of a variety of colors and not just one pure hue.

The Summer House by Thomas Pollock Anshutz, watercolor painting, 1900.
The Summer House by Thomas Pollock Anshutz, watercolor painting, 1900.

Strike a balance

Spend as much time observing as you do painting. For artist Glenn Rudderow, this is a crucial part of his plein air practice. "Nothing can take the place of direct observation—of being there, seeing, communicating and expressing the spirit of one's subject," he says.

Go for awesome

Albert Bierstadt and Thomas Moran of the Hudson River School produced paintings of the American landscape that were technically masterful, but most of all they were awe-inspiring. They created luminous paintings that seemed too bright to be true. They amplified the elements of the landscape that inspired them most, leaving the viewer with the same sentiments.

They created luminous paintings that seemed too bright to be true. They amplified the elements of the landscape that inspired them most, leaving the viewer with the same sentiments.

Don't bring your studio outdoors

The thrill of working en plein air is that you can shake up your routine and work differently than you might usually. Use the change in location to try new techniques, such as working on a smaller scale or focusing predominantly on light and other atmospheric qualities. And there is always the real compromise of doing an outdoor session very close to home, as in your own yard.

Evening Descends by Kim Casebeer, oil painting.
Evening Descends by Kim Casebeer, oil painting.

Colors contribute to a sense of space

When creating her landscape paintings, Kansas artist Kim Casebeer adjusts her palette in order to accurately render atmospheric changes and a sense of space. For example, there is usually more red, orange and yellow running through objects in the foreground, and blue, indigo and violet for shapes that recede in the distance.

Go with the flow—of air

Air moves objects. It ripples water, curls leaves and sways limbs of trees. Use brushstrokes and shading to create movement in your work.

Perfection isn't everything

You can spend all day looking for a "perfect" composition that just doesn't exist. Embrace the reality around you—smog, power lines, even debris—and open yourself up to telling interesting stories with new subjects.

How have you been taking advantage of spring in your work? Leave a comment and let us know. If you want to learn more about painting landscapes—including how to paint mountainous vistas accurately, avoid compositions that lack cohesion, and more—take advantage of starting with Plein Air Made Easy with Christine Ivers, a pastel painting techniques video.

This workshop gives you all the one-on-one instruction you'll want to successfully paint landscapes—and all the elements you'll find there—with the power, vibrancy, and travel ease of pastel.

And as many outdoor artists know, painting in the company of Mother Nature isn't always a walk in the park. Sometimes mishaps happen. We want to hear your not-so-sunny outdoor art experiences! Comment below share your art fails via your favorite social media platforms (Instagram, Twitter, Facebook) using #MyArtBurn. Your funny art burns could be featured on our sister site,! Learn more about turning your art burns into art wins here.

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